In contrast, Marion Woodman’s books inspired readers all over the world. Her work attracted the attention of celebrities like Barbra Streisand, Jane Fonda and Oprah.  

Ross Woodman’s psychological and spiritual readings of  Blake, Shelley, the English Romantics  made him unforgettable. Through the prism of his deeply troubled life, Rebel Angel explores the dynamic between creativity and madness in movies, poetry and art.  

The film also examines Woodman’s essential role as a critic and patron of the London ‘regionalist’ art scene in the 60s, when Art in America magazine called London the most important art centre in Canada. The painter Jack Chambers met Woodman as a student in 1952 and they remained close friends for the rest of the artist’s life.  

Recounting how he escaped to movie theatres in the Winnipeg of his childhood, Woodman says “I invented myself at the movies”.  Hollywood movies of the 30s and 40s help tell the story of Rebel Angel, as does a large cache of previously unseen newsreel films of London, Ontario from the mid-1950s through the late 1980s.    Writer/Director Chris Lowry was one of many students of Woodman who went on to make a difference in the arts, media and education. They include playwright David Young (Inexpressible Island, Glenn), sports journalists Scott Russell and Stephen Brunt, actress Kate Nelligan (Eye of the Needle, Prince of Tides). 

 “Having Ross Woodman as my professor was both a blessing and a curse,” narrates Lowry. “My life became a series of experiments. I was a producer, a community organizer, a writer, and a dreamer. Ross provoked me to reform the world, one project at a time.”  

“I started working on Rebel Angel in 2016,” says Lowry. “But it really started seventeen years earlier in 1999, when I interviewed Ross about his life and his ideas, an unfinished project. After he died, I saw that footage as if for the first time, and realized it was the spine of a film.”